View Issue Details

IDProjectCategoryView StatusLast Update
0017795ScribusText Frames / Story Editorpublic2026-04-21 20:40
Reporterguiodic Assigned Tocbradney  
PrioritynormalSeveritycrashReproducibilityalways
Status closedResolutionfixed 
PlatformLinuxOSArch 
Product Version1.7.3 
Fixed in Version1.7.4.svn 
Summary0017795: Scribus' memory occupation grows if Spellchecker is enabled until the kernel kills Scribus
DescriptionThis happens when you edit the text frame directly; it doesn’t seem to happen when using the text editor. It only seems to happen if the spellchecker is enabled.
Could it be caused by the red ‘lines’? I suspect this because sometimes they don’t move correctly with the words, which might indicate a problem with how they’re handled. But that’s just a theory; I have no other evidence.

hunspell version: 1.7.2-3
TagsNo tags attached.
PatchNo

Activities

cbradney

2026-04-15 18:52

administrator   ~0053612

Please provide a sample document for the underline alignment issue and hopefully the memory issue

cbradney

2026-04-15 21:29

administrator   ~0053613

While I have some optimisations to this code, I am unable to reproduce a runaway memory issue (at least on MacOS).. please provide as much info as you can so I can review. Thanks!

cbradney

2026-04-19 13:05

administrator   ~0053615

Any response?

guiodic

2026-04-19 13:12

reporter   ~0053616

This are two examples.
colophon_medium_zzz.sla (150,049 bytes)   
<?xml version="1.0" encoding="UTF-8"?>
<SCRIBUSUTF8NEW Version="1.7.3">
    <Document PageCount="1" PageWidth="5669.29133858268" PageHeight="3259.84251968504" BorderLeft="40" BorderRight="40" BorderTop="40" BorderBottom="40" MarginPreset="0" BleedTop="0" BleedLeft="0" BleedRight="0" BleedBottom="0" PageOrientation="1" PageSize="Custom" FirstPageNumber="1" PagePositioning="0" AutomaticTextFrameColumnCount="1" AutomaticTextFrameColumnGap="11" UnitIndex="1" FontFace="Arial Regular" FontSize="12" TextColumnCount="1" TextColumnGap="0" TabFillCharacter="" TabWidth="36" TextDistanceLeft="0" TextDistanceRight="0" TextDistanceBottom="0" TextDistanceTop="0" FirstLineOffset="1" DocumentInfoAuthor="" DocumentInfoComments="" DocumentInfoKeywords="" DocumentInfoPublisher="" DocumentInfoDate="" DocumentInfoType="" DocumentInfoFormat="" DocumentInfoIdentifier="" DocumentInfoSource="" DocumentInfoLanguage="" DocumentInfoRelation="" DocumentInfoCoverage="" DocumentInfoRights="" DocumentInfoContributors="" DocumentInfoTitle="" DocumentInfoSubject="" SuperScriptDisplacement="33" SuperScriptScaling="66" SubScriptDisplacement="33" SubScriptScaling="66" SmallCapsScaling="75" BaselineGridSpacing="14.4" BaselineGridOffset="0" AutoLineSpacingPct="100" UnderlinePosition="-1" UnderlineWidth="-1" StrikeThruPosition="-1" StrikeThruWidth="-1" GroupCounter="35" DocumentHasCMS="0" SoftProofOn="1" SoftProofFullOn="0" ColorManagementActive="0" GamutCheck="0" BlackPoint="1" DefaultPrinterProfile="Fogra27L CMYK Coated Press" DefaultImageRGBProfile="sRGB IEC61966-2.1" DefaultImageCMYKProfile="Fogra27L CMYK Coated Press" DefaultSolidColorRGBProfile="sRGB IEC61966-2.1" DefaultSolidColorCMYKProfile="Fogra27L CMYK Coated Press" DefaultIntentColors="1" DefaultIntentImages="0" ActiveLayer="0" Language="it" AutomaticHyphenation="1" AutomaticHyphenationCheck="0" GuideLock="0" SnapToGuides="0" SnapToGrid="0" SnapToItems="0" MinorGridSpacing="20.001" MajorGridSpacing="100.001" ShowGrid="0" ShowGuides="1" ShowColumnBorders="1" ShowFrames="1" ShowControls="0" ShowLayerMarkers="0" ShowMargins="1" ShowBaselineGrid="0" ShowImages="1" ShowLinks="1" RulerMode="1" ShowRulers="1" ShowBleed="1" RulerXOffset="0" RulerYOffset="0" GuideRadius="10" GrabRadius="4" PolygonCorners="4" PolygonFactor="0.502" PolygonRotation="0" PolygonInnerRotation="0" PolygonCurvature="0" PolygonOuterCurvature="0" PolygonUseFactor="0" ArcStartAngle="30" ArcSweepAngle="300" SpiralStartAngle="0" SpiralEndAngle="1080" SpiralFactor="1.2" AutoSave="1" AutoSaveTime="600000" AutoSaveCount="1" AutoSaveKeep="0" AutoSaveInDocumentDirectory="1" AutoSaveDirectory="" ScratchBottom="20.001" ScratchLeft="100.001" ScratchRight="100.001" ScratchTop="20.001" GapHorizontal="0" GapVertical="40" LineStartArrow="0" LineEndArrow="0" ShapeLineColor="Black" ShapeFillColor="None" LineColor="Black" TextColor="Black" TextStrokeColor="Black" TextBackgroundColor="None" TextLineColor="None" TextBackgroundColorShade="100" TextLineColorShade="100" TextColorShade="100" TextStrokeColorShade="100" ShapeLineStyle="1" LineStyle="1" ShapeLineWidth="1" LineWidth="1" ShapeLineColorShade="100" LineColorShade="100" ShapeFillColorShade="100" ImageFillColor="None" ImageFillColorShade="100" ImageStrokeColor="None" ImageStrokeColorShade="100" ImageScaleX="1" ImageScaleY="1" ImageScaleType="1" ImageAspectRatio="1" ImageUseEmbeddedPath="0" ImageLowResType="1" DisplayOffsetX="10.001" DisplayOffsetY="10.001" RotationConstrainAngle="15" MinorGridColor="#00ff00" MajorGridColor="#00ff00" GuidesColor="#000080" BaselineGridColor="#c0c0c0" RenderStack="4 0 1 2 3" GridType="1" PageColor="#ffffff" MarginColor="#ff0000" ShowMarginsFilled="0" CurrentProfile="PDF 1.4" CalligraphicPenFillColor="Black" CalligraphicPenLineColor="Black" CalligraphicPenFillColorShade="100" CalligraphicPenLineColorShade="100" CalligraphicPenLineWidth="1" CalligraphicPenAngle="0" CalligraphicPenWidth="10" CalligraphicPenStyle="1">
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                <Content CParent="Testo (ITA)" Chars="Domenico Rotella nasce a Catanzaro il 7 ottobre. Figlio di una modista, dopo la scuola media si trasferisce a Napoli per intraprendere gli studi artistici."/>
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                <Content CParent="Testo (ITA)" Chars="Ottenuto un impiego al Ministero delle Poste e dei Telegrafi, si reca a Roma. Chiamato alle armi, entra nella scuola Allievi Sottufficiali di Caserta. Nel 1944 si congeda e ottiene il Diploma al Liceo Artistico di Napoli. Dal 1944 al 1945 insegna Disegno presso l’Istituto per Geometri di Catanzaro."/>
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                <Content CParent="Testo (ENG)" Chars="After obtaining a position at the Ministry of Posts and Telegraphs, he moves to Rome. Called up for military service, he enters the Non-Commissioned Officers School in Caserta. In 1944 he is discharged and obtains his diploma from the Naples Art High School. From 1944 to 1945 he teaches drawing at the Technical Institute for Surveyors in Catanzaro."/>
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                <Content CParent="Testo (ITA)" Chars="Si trasferisce a Roma e, dopo gli inizi figurativi, realizza una serie di opere astratte di matrice neo-geometrica. Nel 1949 redige il "/>
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                <Content CParent="Testo (ITA)" Chars=", di cui è l’unico firmatario: i poemi epistaltici che compone si basano su un insieme di fonemi di sua invenzione e suoni onomatopeici."/>
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                <Content CParent="Testo (ENG)" Chars=", of which he is the sole signatory: the epistaltic poems he composes are based on a set of phonemes of his own invention and on onomatopoeic sounds."/>
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                <Content CParent="Testo (ITA)" Chars="Il 27 ottobre Restany fonda il movimento del "/>
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                <Content CParent="Testo (ITA)" Chars=" con un manifesto firmato da Yves Klein, Arman, François Dufrêne, Raymond Hains, Martial Raysse, Daniel Spoerri, Jean Tinguely e Jacques Villeglé. Poco dopo si uniscono al gruppo anche César, Christo, Niki de Saint Phalle e Rotella come unico artista italiano."/>
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                <Content CParent="Testo (ENG)" Chars="On 27 October Restany founds the "/>
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                <Content CParent="Testo (ENG)" Chars=" movement with a manifesto signed by Yves Klein, Arman, François Dufrêne, Raymond Hains, Martial Raysse, Daniel Spoerri, Jean Tinguely and Jacques Villeglé. Shortly afterwards César, Christo, Niki de Saint Phalle and Rotella join the group; the latter is the only Italian artist."/>
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                <Content CParent="Testo (ITA)" Chars="Espone a Parigi alla collettiva “À 40° au-dessus de Dada”, curata da Restany; partecipa alle mostre “The Art of Assemblage” al MoMA di New York, al “Salon Comparaisons” al Musée d’Art Moderne a Parigi e alla mostra presso la Galleria Schwarz di Milano."/>
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                <Content CParent="Testo (ENG)" Chars="He exhibits in Paris in the group show “À 40° au-dessus de Dada”, curated by Restany; he takes part in “The Art of Assemblage” at MoMA in New York, the “Salon Comparaisons” at the Musée d’Art Moderne in Paris, and the exhibition at the Galleria Schwarz in Milan."/>
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                <Content CParent="Testo (ITA)" Chars="Inizia a elaborare un procedimento di produzione seriale usando immagini trasferite su tela emulsionata, operazione definita successivamente come “reportage” o “Mec-Art”, un’esperienza che, nel 1965, elabora insieme al critico Otto Hahn e al pittore Alain Jacquet. Espone alla Galleria Apollinaire di Milano, dove viene presentata la prima monografia dedicata al suo lavoro."/>
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                <Content CParent="Testo (ENG)" Chars="He begins developing a serial production process using images transferred onto emulsified canvas, a practice later defined as “reportage” or “Mec-Art”, an approach he develops in 1965 together with critic Otto Hahn and painter Alain Jacquet. He exhibits at the Apollinaire Gallery in Milan, where the first monograph dedicated to his work is presented."/>
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                <Content CParent="Testo (ITA)" Chars="Partecipa alla XXXII Biennale di Venezia e a una serie di altre grandi mostre internazionali, tra cui “Pop Art, Nouveau Réalisme” al Palais des Beaux-Arts di Bruxelles e “Neue Realisten &amp; Pop Art” all’Akademie der Künste di Berlino. Quell’anno si stabilisce a Parigi."/>
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                <Content CParent="Testo (ENG)" Chars="He takes part in the XXXII Venice Biennale and in a series of major international exhibitions, including “Pop Art, Nouveau Réalisme” at the Palais des Beaux-Arts in Brussels and “Neue Realisten &amp; Pop Art” at the Akademie der Künste in Berlin. That year he settles in Paris."/>
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                <Content CParent="Testo (ITA)" Chars="Inizia a realizzare una serie di nuove opere, intervenendo sulle pagine pubblicitarie delle riviste con l’impiego di solventi e riducendole allo stadio di impronta ("/>
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                <Content CParent="Testo (ITA)" Chars=") attraverso una rinnovata riflessione sul consumo dell’immagine."/>
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                <Content CParent="Testo (ENG)" Chars="He begins producing a series of new works, intervening on advertising pages from magazines using solvents, reducing them to a trace-like state ("/>
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                <Content CParent="Testo (ENG)" Chars=") or partially erasing them ("/>
                <Content CParent="Testo (ENG)" Font="Futura PT Medium Oblique" Chars="effaçage"/>
                <Content CParent="Testo (ENG)" Chars=") through a renewed reflection on image consumption."/>
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                <Content CParent="Testo (ENG)" Chars=" is published by Sugar, Milan."/>
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                <Content CParent="Testo (ITA)" Chars="Realizza le plastiforme, manifesti strappati in una teca di poliuretano. Esce un LP che raggruppa le poesie fonetiche dal 1949 al 1975. Viene inaugurata una retrospettiva alla Rotonda della Besana a Milano."/>
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                <Content CParent="Testo (ENG)" Chars=", torn posters enclosed in polyurethane cases. An LP is released collecting his phonetic poems from 1949 to 1975. A retrospective is inaugurated at the Rotonda della Besana in Milan."/>
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                <Content CParent="Testo (ITA)" Chars=" (coperture), manifesti pubblicitari strappati e ricoperti con strisce monocrome di carta che l’anno dopo espone alla Galerie Denise René di Parigi e allo Studio Marconi di Milano."/>
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                <Content CParent="Testo (ENG)" Chars=" (coverings), torn advertising posters covered with monochrome strips of paper, which he exhibits the following year at Galerie Denise René in Paris and at Studio Marconi in Milan."/>
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                <Content CParent="Testo (ITA)" Chars="Le sue opere fanno parte della mostra “Les Nouveaux Réalistes” alla Galerie d’Art Contemporain des musées di Nizza e prende parte alla mostra “Contemporary Italian Art”, all’Hayward Gallery a Londra."/>
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                <Content CParent="Testo (ENG)" Chars="His works are included in the exhibition “Les Nouveaux Réalistes” at the Galerie d’Art Contemporain des Musées in Nice, and he takes part in “Contemporary Italian Art” at the Hayward Gallery in London."/>
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                <Content CParent="Testo (ITA)" Chars="Compie un viaggio a Cuba dove espone il suo lavoro all’università dell’Avana. Realizza le sovrapitture, intervenendo pittoricamente sui manifesti pubblicitari lacerati e incollati su tela e, a partire dal 1987, anche su supporto metallico in lamiera. L’artista traccia scritte anonime, come quelle che si trovano sui muri delle città, con un atteggiamento vicino al graffitismo. "/>
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                <Content CParent="Testo (ENG)" Chars=", applying paint to torn and pasted advertising posters on canvas and, from 1987 onwards, also on metal sheets. The artist traces anonymous writings, similar to those found on city walls, in an approach close to graffiti."/>
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                <Content CParent="Testo (ITA)" Font="Futura PT Demi" Chars="1951"/>
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                <Content CParent="Testo (ITA)" Chars="Presenta la sua prima mostra personale alla Galleria Chiurazzi di Roma e, sempre in quell’anno, espone al “Salon des Réalités Nouvelles” di Parigi. Tra il 1951 e il 1952 riceve una borsa di studio della Fulbright Foundation con cui si reca all’università di Kansas City, dapprima come studente e, successivamente, come "/>
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                <Content CParent="Testo (ITA)" Chars="; qui dipinge un pannello murale per l’università. Espone anche una serie di quadri alla Rockhill Nelson Gallery of Art di Kansas City. Nell’agosto 1952 ritorna in Italia e si stabilisce a Roma in un "/>
                <Content CParent="Testo (ITA)" Font="Futura PT Medium Oblique" Chars="atelier"/>
                <Content CParent="Testo (ITA)" Chars=" vicino a piazza del Popolo."/>
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                <para Alignment="3"/>
                <Content CParent="Testo (ENG)" Chars="He presents his first solo exhibition at the Chiurazzi Gallery in Rome and, in the same year, exhibits at the “Salon des Réalités Nouvelles” in Paris. Between 1951 and 1952 he receives a Fulbright Foundation scholarship, which takes him to the University of Kansas City, first as a student and later as an artist in residence; there he paints a mural panel for the university. He also exhibits a series of paintings at the Rockhill Nelson Gallery of Art in Kansas City. In August 1952 he returns to Italy and settles in Rome in a studio near Piazza del Popolo."/>
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                <para Alignment="3"/>
                <Content CParent="Testo (ITA)" Font="Futura PT Demi" Chars="1953"/>
                <para Alignment="3"/>
                <Content CParent="Testo (ITA)" Chars="Attraversa un periodo di crisi. Interrompe la produzione pittorica e scopre il manifesto pubblicitario come espressione artistica. Inventa così il "/>
                <Content CParent="Testo (ITA)" Font="Futura PT Medium Oblique" Chars="décollage"/>
                <Content CParent="Testo (ITA)" Chars=", la sua scoperta più rivoluzionaria, che, attraverso lo strappo dei manifesti, apre una nuova spazialità. Nel 1955 i "/>
                <Content CParent="Testo (ITA)" Font="Futura PT Medium Oblique" Chars="décollage"/>
                <Content CParent="Testo (ITA)" Chars=" vengono esposti per la prima volta nella mostra “Sei pittori sul Tevere”, presso le Zattere del Ciriola a Roma, e, sempre in quello stesso anno, alla Galleria del Naviglio di Milano. I primi "/>
                <Content CParent="Testo (ITA)" Font="Futura PT Medium Oblique" Chars="décollage"/>
                <Content CParent="Testo (ITA)" Chars=" sono i "/>
                <Content CParent="Testo (ITA)" Font="Futura PT Medium Oblique" Chars="retro d’affiche"/>
                <Content CParent="Testo (ITA)" Chars=", che prevedono l’utilizzo dei retro dei manifesti con l’obiettivo di ottenere lavori astratti e materici."/>
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                <para Alignment="3"/>
                <Content CParent="Testo (ENG)" Chars="He goes through a period of crisis. He interrupts his painting practice and discovers the advertising poster as an artistic medium. He invents "/>
                <Content CParent="Testo (ENG)" Font="Futura PT Medium Oblique" Chars="décollage"/>
                <Content CParent="Testo (ENG)" Chars=", his most revolutionary innovation, which, through the tearing of posters, opens up a new spatial dimension. In 1955 the "/>
                <Content CParent="Testo (ENG)" Font="Futura PT Medium Oblique" Chars="décollages"/>
                <Content CParent="Testo (ENG)" Chars=" are exhibited for the first time in the exhibition “Sei pittori sul Tevere”, held at the Zattere del Ciriola in Rome, and in the same year at the Galleria del Naviglio in Milan. The earliest "/>
                <Content CParent="Testo (ENG)" Font="Futura PT Medium Oblique" Chars="décollages"/>
                <Content CParent="Testo (ENG)" Chars=" are "/>
                <Content CParent="Testo (ENG)" Font="Futura PT Medium Oblique" Chars="retro d’affiche"/>
                <Content CParent="Testo (ENG)" Chars=", which involve using the backs of posters with the aim of producing abstract, material works."/>
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                <para Alignment="3"/>
                <Content CParent="Testo (ITA)" Font="Futura PT Demi" Chars="1956"/>
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                <Content CParent="Testo (ITA)" Chars="Vince il Premio Graziano, un noto concorso dell’epoca, e l’anno dopo si aggiudica anche il Premio Battistoni."/>
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                <para Alignment="3"/>
                <Content CParent="Testo (ENG)" Chars="He wins the Graziano Prize, a well-known competition of the time, and the following year he is awarded the Battistoni Prize."/>
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                <para Alignment="3"/>
                <para Alignment="3"/>
                <Content CParent="Testo (ITA)" Font="Futura PT Demi" Chars="1958"/>
                <para Alignment="3"/>
                <Content CParent="Testo (ITA)" Chars="Con la serie "/>
                <Content CParent="Testo (ITA)" Font="Futura PT Medium Oblique" Chars="Cinecittà"/>
                <Content CParent="Testo (ITA)" Chars=" inizia la sua indagine sul cinema e la pubblicità, orientando la produzione verso opere di carattere figurativo. Riceve a Roma la visita del critico francese Pierre Restany, con il quale inizia un lungo sodalizio."/>
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                <para Alignment="3"/>
                <Content CParent="Testo (ENG)" Chars="With the series "/>
                <Content CParent="Testo (ENG)" Font="Futura PT Medium Oblique" Chars="Cinecittà"/>
                <Content CParent="Testo (ENG)" Chars=" he begins his investigation into cinema and advertising, steering his production towards figurative works. In Rome he receives a visit from the French critic Pierre Restany, with whom he begins a long collaboration."/>
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                <Content CParent="Titolo (ITA)" Chars="Anni ’90 "/>
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                <para Alignment="3"/>
                <para Alignment="3"/>
                <Content CParent="Testo (ITA)" Font="Futura PT Demi" Chars="1991"/>
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                <Content CParent="Testo (ITA)" Chars="Sposa Inna Agarounova e, nel 1993, nasce la figlia Asya."/>
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                <para Alignment="3"/>
                <Content CParent="Testo (ENG)" Chars="He marries Inna Agarounova, and in 1993 their daughter Asya is born."/>
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                <para Alignment="3"/>
                <para Alignment="3"/>
                <Content CParent="Testo (ITA)" Font="Futura PT Demi" Chars="1992"/>
                <para Alignment="3"/>
                <Content CParent="Testo (ITA)" Chars="Riceve l’onorificenza Officiel des Arts et des Lettres dal ministro della Cultura francese, Jack Lang."/>
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                <para Alignment="3"/>
                <Content CParent="Testo (ENG)" Chars="He is awarded the Officier des Arts et des Lettres by the French Minister of Culture, Jack Lang."/>
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                <para Alignment="3"/>
                <para Alignment="3"/>
                <Content CParent="Testo (ITA)" Font="Futura PT Demi" Chars="1994"/>
                <para Alignment="3"/>
                <Content CParent="Testo (ITA)" Chars="È invitato alla mostra “The Italian Metamorphosis” al Guggenheim di New York ed espone al Ludwig Museum di Colonia."/>
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                <para Alignment="3"/>
                <Content CParent="Testo (ENG)" Chars="He is invited to the exhibition “The Italian Metamorphosis” at the Guggenheim Museum in New York and exhibits at the Ludwig Museum in Cologne."/>
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                <Content CParent="Titolo (ITA)" Chars="Anni 2000 "/>
                <Content CParent="Titolo (ENG)" Chars="/ 2000s"/>
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                <Content CParent="Testo (ITA)" Font="Futura PT Demi" Chars="2000"/>
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                <Content CParent="Testo (ITA)" Chars="Il 25 marzo, per volontà dell’artista, viene costituita la Fondazione Mimmo Rotella."/>
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                <para Alignment="3"/>
                <Content CParent="Testo (ENG)" Chars="On 25 March, the Mimmo Rotella Foundation is established at the artist’s request."/>
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                <para Alignment="3"/>
                <Content CParent="Testo (ITA)" Font="Futura PT Demi" Chars="2001"/>
                <para Alignment="3"/>
                <Content CParent="Testo (ITA)" Chars="Partecipa a “Les années pop” al Centre Georges Pompidou di Parigi e prende parte alla Biennale di Venezia “Platea dell’Umanità”, curata da Harald Szeemann."/>
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                <Content CParent="Testo (ENG)" Chars="He takes part in “Les années pop” at the Centre Georges Pompidou in Paris and in the Venice Biennale “Plateau of Humankind”, curated by Harald Szeemann."/>
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                <para Alignment="3"/>
                <Content CParent="Testo (ITA)" Font="Futura PT Demi" Chars="2002"/>
                <para Alignment="3"/>
                <Content CParent="Testo (ITA)" Chars="Il 19 aprile riceve la medaglia d’oro per le arti visive dal Presidente della Repubblica Carlo Azeglio Ciampi. Quell’anno si dedica a una nuova serie di opere, denominate da Restany "/>
                <Content CParent="Testo (ITA)" Font="Futura PT Medium" Chars="“nuove icone"/>
                <Content CParent="Testo (ITA)" Chars="”, in cui interviene sui manifesti cinematografici con sovrapposizioni, "/>
                <Content CParent="Testo (ITA)" Font="Futura PT Medium Oblique" Chars="collage"/>
                <Content CParent="Testo (ITA)" Chars=" e pittura."/>
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                <Content CParent="Testo (ENG)" Chars="On 19 April he receives the Gold Medal for Visual Arts from the President of the Republic Carlo Azeglio Ciampi. That year he begins a new series of works, called by Restany “new icons”, in which he intervenes on film posters with overlays, "/>
                <Content CParent="Testo (ENG)" Font="Futura PT Medium Oblique" Chars="collage"/>
                <Content CParent="Testo (ENG)" Chars=" and painting."/>
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                <Content CParent="Testo (ITA)" Font="Futura PT Demi" Chars="2004"/>
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                <Content CParent="Testo (ITA)" Chars="Il 19 maggio riceve la Laurea honoris causa dalla Facoltà di Architettura dell’Università degli Studi “Mediterranea” di Reggio Calabria."/>
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                <Content CParent="Testo (ENG)" Chars="On 19 May he is awarded an honorary degree from the Faculty of Architecture of the “Mediterranea” University of Reggio Calabria."/>
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                <Content CParent="Testo (ITA)" Font="Futura PT Demi" Chars="2005"/>
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                <Content CParent="Testo (ITA)" Chars="In marzo partecipa alla “XIV Quadriennale di Roma. Fuori tema/Italian Feeling” e gli viene consegnata la medaglia d’oro alla carriera. Il 18 marzo si inaugura a Catanzaro la Casa della Memoria, fortemente voluta da Rotella, che ha trasformato la sua casa natale in un museo permanente dedicato alla sua opera."/>
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                <Content CParent="Testo (ENG)" Chars="In March he takes part in the “XIV Quadriennale di Roma. Fuori tema/Italian Feeling” and receives the gold medal for his career. On 18 March the Casa della Memoria is inaugurated in Catanzaro, strongly supported by Rotella, who transformed his birthplace into a permanent museum dedicated to his work."/>
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                <Content CParent="Testo (ITA)" Font="Futura PT Demi" Chars="2006"/>
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                <Content CParent="Testo (ITA)" Chars="Muore a Milano l’8 gennaio."/>
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                <Content CParent="Testo (ENG)" Chars="He dies in Milan on 8 January."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="1918"/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="Domenico Rotella nasce a Catanzaro il 7 ottobre. Figlio di una modista, dopo la scuola media si trasferisce a Napoli per intraprendere gli studi artistici."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="Domenico Rotella is born in Catanzaro on 7 October. The son of a milliner, after middle school he moves to Naples to pursue artistic studies."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="1941"/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="Ottenuto un impiego al Ministero delle Poste e dei Telegrafi, si reca a Roma. Chiamato alle armi, entra nella scuola Allievi Sottufficiali di Caserta. Nel 1944 si congeda e ottiene il Diploma al Liceo Artistico di Napoli. Dal 1944 al 1945 insegna Disegno presso l’Istituto per Geometri di Catanzaro."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="After obtaining a position at the Ministry of Posts and Telegraphs, he moves to Rome. Called up for military service, he enters the Non-Commissioned Officers School in Caserta. In 1944 he is discharged and obtains his diploma from the Naples Art High School. From 1944 to 1945 he teaches drawing at the Technical Institute for Surveyors in Catanzaro."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="1945"/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="Si trasferisce a Roma e, dopo gli inizi figurativi, realizza una serie di opere astratte di matrice neo-geometrica. Nel 1949 redige il Manifesto dell’Epistaltismo, di cui è l’unico firmatario: i poemi epistaltici che compone si basano su un insieme di fonemi di sua invenzione e suoni onomatopeici."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="He moves to Rome and, after his figurative beginnings, produces a series of abstract works of neo-geometric inspiration. In 1949 he writes the Manifesto of Epistaltism, of which he is the sole signatory: the epistaltic poems he composes are based on a set of phonemes of his own invention and on onomatopoeic sounds."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="1951"/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="Presenta la sua prima mostra personale alla Galleria Chiurazzi di Roma e, sempre in quell’anno, espone al “Salon des Réalités Nouvelles” di Parigi. Tra il 1951 e il 1952 riceve una borsa di studio della Fulbright Foundation con cui si reca all’università di Kansas City, dapprima come studente e, successivamente, come artist in residence; qui dipinge un pannello murale per l’università. Espone anche una serie di quadri alla Rockhill Nelson Gallery of Art di Kansas City. Nell’agosto 1952 ritorna in Italia e si stabilisce a Roma in un atelier vicino a piazza del Popolo."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="He presents his first solo exhibition at the Chiurazzi Gallery in Rome and, in the same year, exhibits at the “Salon des Réalités Nouvelles” in Paris. Between 1951 and 1952 he receives a Fulbright Foundation scholarship, which takes him to the University of Kansas City, first as a student and later as an artist in residence; there he paints a mural panel for the university. He also exhibits a series of paintings at the Rockhill Nelson Gallery of Art in Kansas City. In August 1952 he returns to Italy and settles in Rome in a studio near Piazza del Popolo."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="1953"/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="Attraversa un periodo di crisi. Interrompe la produzione pittorica e scopre il manifesto pubblicitario come espressione artistica. Inventa così il décollage, la sua scoperta più rivoluzionaria, che, attraverso lo strappo dei manifesti, apre una nuova spazialità. Nel 1955 i décollage vengono esposti per la prima volta nella mostra “Sei pittori sul Tevere”, presso le Zattere del Ciriola a Roma, e, sempre in quello stesso anno, alla Galleria del Naviglio di Milano. I primi décollage sono i retro d’affiche, che prevedono l'utilizzo dei retro dei manifesti con l’obiettivo di ottenere lavori astratti e materici."/>
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                <para Alignment="3"/>
                <Content CParent="Testo (ITA)" FontSize="32" Chars="He goes through a period of crisis. He interrupts his painting practice and discovers the advertising poster as an artistic medium. He invents décollage, his most revolutionary innovation, which, through the tearing of posters, opens up a new spatial dimension. In 1955 the décollages are exhibited for the first time in the exhibition “Sei pittori sul Tevere”, held at the Zattere del Ciriola in Rome, and in the same year at the Galleria del Naviglio in Milan. The earliest décollages are retro d’affiche, which involve using the backs of posters with the aim of producing abstract, material works."/>
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                <para Alignment="3"/>
                <para Alignment="3"/>
                <Content CParent="Testo (ITA)" FontSize="32" Chars="1956"/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="Vince il Premio Graziano, un noto concorso dell’epoca, e l’anno dopo si aggiudica anche il Premio Battistoni."/>
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                <para Alignment="3"/>
                <Content CParent="Testo (ITA)" FontSize="32" Chars="He wins the Graziano Prize, a well-known competition of the time, and the following year he is awarded the Battistoni Prize."/>
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                <para Alignment="3"/>
                <para Alignment="3"/>
                <Content CParent="Testo (ITA)" FontSize="32" Chars="1958"/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="Con la serie Cinecittà inizia la sua indagine sul cinema e la pubblicità, orientando la produzione verso opere di carattere figurativo. Riceve a Roma la visita del critico francese Pierre Restany, con il quale inizia un lungo sodalizio."/>
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                <para Alignment="3"/>
                <Content CParent="Testo (ITA)" FontSize="32" Chars="With the series Cinecittà he begins his investigation into cinema and advertising, steering his production towards figurative works. In Rome he receives a visit from the French critic Pierre Restany, with whom he begins a long collaboration."/>
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                <para Alignment="3"/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="1960"/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="Il 27 ottobre Restany fonda il movimento del Nouveau Réalisme con un manifesto firmato da Yves Klein, Arman, François Dufrêne, Raymond Hains, Martial Raysse, Daniel Spoerri, Jean Tinguely e Jacques Villeglé. Poco dopo si uniscono al gruppo anche César, Christo, Niki de Saint Phalle e Rotella come unico artista italiano."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="On 27 October Restany founds the Nouveau Réalisme movement with a manifesto signed by Yves Klein, Arman, François Dufrêne, Raymond Hains, Martial Raysse, Daniel Spoerri, Jean Tinguely and Jacques Villeglé. Shortly afterwards César, Christo, Niki de Saint Phalle and Rotella join the group; the latter is the only Italian artist."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="1961"/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="Espone a Parigi alla collettiva “À 40° au-dessus de Dada”, curata da Restany; partecipa alle mostre “The Art of Assemblage” al MoMA di New York, al “Salon Comparaisons” al Musée d’Art Moderne a Parigi e alla mostra presso la Galleria Schwarz di Milano."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="He exhibits in Paris in the group show “À 40° au-dessus de Dada”, curated by Restany; he takes part in “The Art of Assemblage” at MoMA in New York, the “Salon Comparaisons” at the Musée d’Art Moderne in Paris, and the exhibition at the Galleria Schwarz in Milan."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="1963"/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="Inizia a elaborare un procedimento di produzione seriale usando immagini trasferite su tela emulsionata, operazione definita successivamente come “reportage” o “Mec-Art”, un’esperienza che, nel 1965, elabora insieme al critico Otto Hahn e al pittore Alain Jacquet. Espone alla Galleria Apollinaire di Milano, dove viene presentata la prima monografia dedicata al suo lavoro."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="He begins developing a serial production process using images transferred onto emulsified canvas, a practice later defined as “reportage” or “Mec-Art”, an approach he develops in 1965 together with critic Otto Hahn and painter Alain Jacquet. He exhibits at the Apollinaire Gallery in Milan, where the first monograph dedicated to his work is presented."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="1964"/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="Partecipa alla XXXII Biennale di Venezia e a una serie di altre grandi mostre internazionali, tra cui “Pop Art, Nouveau Réalisme” al Palais des Beaux-Arts di Bruxelles e “Neue Realisten &amp; Pop Art” all’Akademie der Künste di Berlino. Quell’anno si stabilisce a Parigi."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="Viene organizzata la sua prima mostra personale, dedicata alle tele emulsionate, presso la Galerie J di Parigi. Espone anche alla Galleria La Tartaruga di Roma e partecipa, a Bruxelles, all’esposizione collettiva “Hommage à Niecéphore Niépce” insieme ad Alain Jacquet, Gianni Bertini, Pol Bury e Nikos."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="His first solo exhibition dedicated to emulsified canvases is held at Galerie J in Paris. He also exhibits at Galleria La Tartaruga in Rome and takes part in the group exhibition “Hommage à Nicéphore Niépce” in Brussels alongside Alain Jacquet, Gianni Bertini, Pol Bury and Nikos."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="1966"/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="Espone alla Galleria del Naviglio di Milano. Mostra i primi artypo nel foyer del teatro La Fenice di Venezia. La sua nuova produzione prevede l’utilizzo di prove di stampa usate per l’avviamento di macchina su cui sono sovrastampati colori e immagini di altri manifesti."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="He exhibits at the Galleria del Naviglio in Milan. He presents his first artypo in the foyer of La Fenice theatre in Venice. His new production involves the use of printer’s proofs used for press start-ups, on which colours and images from other posters are overprinted."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="Una delle sue Marilyn figura nella mostra “Homage to Marilyn Monroe” alla Sidney Janis Gallery di New York. Partecipa alla collettiva “Artypo” al Van Abbemuseum di Eindhoven."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="One of his Marilyn works is included in the exhibition “Homage to Marilyn Monroe” at the Sidney Janis Gallery in New York. He takes part in the group exhibition “Artypo” at the Van Abbemuseum in Eindhoven."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="1971"/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="Inizia a realizzare una serie di nuove opere, intervenendo sulle pagine pubblicitarie delle riviste con l’impiego di solventi e riducendole allo stadio di impronta (frottage) o cancellandole in parte (effaçage) attraverso una rinnovata riflessione sul consumo dell’immagine."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="He begins producing a series of new works, intervening on advertising pages from magazines using solvents, reducing them to a trace-like state (frottage) or partially erasing them (effaçage) through a renewed reflection on image consumption."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="Viene pubblicata la sua autobiografia, Autorotella. Autobiografia di un artista, edita da Sugar, Milano. "/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="His autobiography Autorotella. Autobiografia di un artista is published by Sugar, Milan."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="1975"/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="Realizza le plastiforme, manifesti strappati in una teca di poliuretano. Esce un LP che raggruppa le poesie fonetiche dal 1949 al 1975. Viene inaugurata una retrospettiva alla Rotonda della Besana a Milano."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="He creates plastiforme, torn posters enclosed in polyurethane cases. An LP is released collecting his phonetic poems from 1949 to 1975. A retrospective is inaugurated at the Rotonda della Besana in Milan."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="1980"/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="Si stabilisce a Milano dove elabora i blank (coperture), manifesti pubblicitari strappati e ricoperti con strisce monocrome di carta che l’anno dopo espone alla Galerie Denise René di Parigi e allo Studio Marconi di Milano."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="He settles in Milan where he develops the blanks (coverings), torn advertising posters covered with monochrome strips of paper, which he exhibits the following year at Galerie Denise René in Paris and at Studio Marconi in Milan."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="Le sue opere fanno parte della mostra “Les Nouveaux Réalistes” alla Galerie d’Art Contemporain des musées di Nizza e prende parte alla mostra “Contemporary Italian Art”, all’Hayward Gallery a Londra."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="His works are included in the exhibition “Les Nouveaux Réalistes” at the Galerie d’Art Contemporain des Musées in Nice, and he takes part in “Contemporary Italian Art” at the Hayward Gallery in London."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="1986"/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="Compie un viaggio a Cuba dove espone il suo lavoro all’università dell’Avana. Realizza le sovrapitture, intervenendo pittoricamente sui manifesti pubblicitari lacerati e incollati su tela e, a partire dal 1987, anche su supporto metallico in lamiera. L’artista traccia scritte anonime, come quelle che si trovano sui muri delle città, con un atteggiamento vicino al graffitismo. "/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="He travels to Cuba, where he exhibits his work at the University of Havana. He creates sovrapitture, applying paint to torn and pasted advertising posters on canvas and, from 1987 onwards, also on metal sheets. The artist traces anonymous writings, similar to those found on city walls, in an approach close to graffiti."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="1991"/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="Sposa Inna Agarounova e, nel 1993, nasce la figlia Asya."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="He marries Inna Agarounova, and in 1993 their daughter Asya is born."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="1992"/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="Riceve l’onorificenza Officiel des Arts et des Lettres dal ministro della Cultura francese, Jack Lang."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="He is awarded the Officier des Arts et des Lettres by the French Minister of Culture, Jack Lang."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="1994"/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="È invitato alla mostra “The Italian Metamorphosis” al Guggenheim di New York ed espone al Ludwig Museum di Colonia."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="He is invited to the exhibition “The Italian Metamorphosis” at the Guggenheim Museum in New York and exhibits at the Ludwig Museum in Cologne."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="2000"/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="Il 25 marzo, per volontà dell’artista, viene costituita la Fondazione Mimmo Rotella."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="On 25 March, the Mimmo Rotella Foundation is established at the artist’s request."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="2001"/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="Partecipa a “Les années pop” al Centre Georges Pompidou di Parigi e prende parte alla Biennale di Venezia “Platea dell’Umanità”, curata da Harald Szeemann."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="He takes part in “Les années pop” at the Centre Georges Pompidou in Paris and in the Venice Biennale “Plateau of Humankind”, curated by Harald Szeemann."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="2002"/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="Il 19 aprile riceve la medaglia d’oro per le arti visive dal Presidente della Repubblica Carlo Azeglio Ciampi. Quell’anno si dedica a una nuova serie di opere, denominate da Restany nuove icone, in cui interviene sui manifesti cinematografici con sovrapposizioni, collage e pittura."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="On 19 April he receives the Gold Medal for Visual Arts from the President of the Republic Carlo Azeglio Ciampi. That year he begins a new series of works, called by Restany New Icons, in which he intervenes on film posters with overlays, collage and painting."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="2004"/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="Il 19 maggio riceve la Laurea honoris causa dalla Facoltà di Architettura dell’Università degli Studi “Mediterranea” di Reggio Calabria."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="On 19 May he is awarded an honorary degree from the Faculty of Architecture of the “Mediterranea” University of Reggio Calabria."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="2005"/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="In marzo partecipa alla “XIV Quadriennale di Roma. Fuori tema/Italian Feeling” e gli viene consegnata la medaglia d’oro alla carriera. Il 18 marzo si inaugura a Catanzaro la Casa della Memoria, fortemente voluta da Rotella, che ha trasformato la sua casa natale in un museo permanente dedicato alla sua opera."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="In March he takes part in the “XIV Quadriennale di Roma. Fuori tema/Italian Feeling” and receives the gold medal for his career. On 18 March the Casa della Memoria is inaugurated in Catanzaro, strongly supported by Rotella, who transformed his birthplace into a permanent museum dedicated to his work."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="2006"/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="Muore a Milano l’8 gennaio."/>
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                <Content CParent="Testo (ITA)" FontSize="32" Chars="He dies in Milan on 8 January."/>
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                <DefaultStyle CParent="didafoto (ITA)"/>
                <Content Chars="In studio, Milano, anni Duemila"/>
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                <Content CParent="didafoto (ENG)" Chars="At his atelier, Milan, 2000s"/>
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rotella_timeline 600x200.sla (145,969 bytes)   

guiodic

2026-04-19 13:50

reporter   ~0053617

Try to modify the text directly in the texbox, also try to cut&paste

Issue History

Date Modified Username Field Change
2026-04-15 17:14 guiodic New Issue
2026-04-15 18:52 cbradney Note Added: 0053612
2026-04-15 19:51 cbradney Assigned To => cbradney
2026-04-15 19:51 cbradney Status new => assigned
2026-04-15 21:29 cbradney Note Added: 0053613
2026-04-16 14:08 ale Tag Attached: #waiting
2026-04-19 13:05 cbradney Note Added: 0053615
2026-04-19 13:12 guiodic Note Added: 0053616
2026-04-19 13:12 guiodic File Added: colophon_medium_zzz.sla
2026-04-19 13:12 guiodic File Added: rotella_timeline 600x200.sla
2026-04-19 13:50 guiodic Note Added: 0053617
2026-04-19 15:31 ale Tag Detached: #waiting
2026-04-19 21:02 cbradney Status assigned => resolved
2026-04-19 21:02 cbradney Resolution open => fixed
2026-04-19 21:02 cbradney Fixed in Version => 1.7.4.svn
2026-04-21 20:40 cbradney Status resolved => closed